Kenny Wheeler - John Taylor Duo |
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Sabato 19 Giugno |
Saturday 19 June Piazza San Lorenzo at 8:30 p.m. The careers of trumpeter and flugelhornist Kenny Wheeler and pianist John Taylor have been all but entwined for more than 30 years. Both closely identified with the vital London jazz scene of the mid to late 1960s. Early on, both Wheeler and Taylor maintained mainstream and avant-garde credentials: Wheeler played with everyone from John Dankworth to Spontaneous Music Ensemble, while Taylor balanced accompanist chores for Cleo Laine with cutting-edge work with John Surman and Alan Skidmore. By the early '70s, the two were collaborating on a variety of projects, including Taylor's Sextet and Wheeler's classic Incus album, Song for Someone. In 1977, Taylor and Wheeler formed Azimuth with singer Norma Winstone, setting a standard for chamber jazz through five ECM albums released over a 17-year period. Substantial as it is, Wheeler and Taylor's work together comprises only a portion of their respective outputs. Taylor's activities with Surman continue, as does the pianist's membership in Peter Erskine's trio, with which he has made four CDs for ECM. Currently he is releasing an album with Tommy Smith's Evolution (Spartacus), on which Taylor linchpins an all-star sextet rounded out by Joe Lovano, John Patitucci, John Scofield and Bill Stewart. Meanwhile Wheeler projects include the recently issued Dream Sequence (Psi)CD. Remarkably, Wheeler and Taylor infrequently perform as a duo, which made their concert one of the most anticipated at the 2003 Vancouver International Jazz Festival. Throughout the set, Wheeler's patented technique and propensity to catch the listener off-guard in mid-solo with a well-timed tangent was simply spellbinding. Taylor's playing depended little on the graceful lyricism on which critics hang their stock Bill Evans comparisons, emphasizing instead a vigorous, even urgent attack and rhythmic drive. Additionally, Taylor fully exploited the latitude inherent in a duo to make subtle harmonic and rhythmic shifts, which unfailingly spurred Wheeler to respond in kind. |