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Sabato 19 Giugno
Piazza San Lorenzo
ore 20,30
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Le
carriere di Kenny Wheeler e John Taylor si intrecciano da più di trent'anni nonostante
che uno sia Canadese e l'altro Inglese. Alla fine degli anni 60 facevano parte della
vivacissima scena jazzistica londinese e distinguendosi sia come esponenti di mainstream
sia dellavanguardia. Durante gli anni 70 hanno collaborato su numerosi
progetti compresi il sestetto di Taylor e l'album classico Incus di Wheeler, Song for
someone. Nel 1977, insieme alla cantante Norma Winstone formarono Azimuth rilasciando ben
cinque album ECM in un periodo di 17 anni. Nonostante che questo sembri già un lavoro
sostanzioso, esso rappresenta solo una piccola parte della produzione musicale di entrambi
i musicisti. Tra le altre cose Taylor ha continuato a suonare con Surman e ha fatto parte
del trio di Peter Erskine con il quale ha inciso quattro CD per ECM e fra poco uscirà un
nuovo album con Evolution di Tommy Smith (Spartacus) al quale partecipano anche Joe
Lovano, John Patitucci, John Scofield e Bill Stewart. Anche Wheeler ha lavorato a numerosi
progetti come il suo recente CD Dream Sequence (PSI). Stranamente il duo suona raramente
assieme. Wheeler è sempre capace di stupire mentre Taylor con il suo stile vigoroso e
ritmico crea uno sfondo che fa risaltare l'ampia gamma armonica e le sfumature ritmiche. |
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Saturday 19 June
Piazza San Lorenzo
at 8:30 p.m.
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The
careers of trumpeter and flugelhornist Kenny Wheeler and pianist John Taylor have been all
but entwined for more than 30 years. Both closely identified with the vital London jazz
scene of the mid to late 1960s. Early on, both Wheeler and Taylor maintained mainstream
and avant-garde credentials: Wheeler played with everyone from John Dankworth to
Spontaneous Music Ensemble, while Taylor balanced accompanist chores for Cleo Laine with
cutting-edge work with John Surman and Alan Skidmore. By the early '70s, the two were
collaborating on a variety of projects, including Taylor's Sextet and Wheeler's classic
Incus album, Song for Someone. In 1977, Taylor and Wheeler formed Azimuth with singer
Norma Winstone, setting a standard for chamber jazz through five ECM albums released over
a 17-year period. Substantial as it is, Wheeler and Taylor's work together comprises only
a portion of their respective outputs. Taylor's activities with Surman continue, as does
the pianist's membership in Peter Erskine's trio, with which he has made four CDs for ECM.
Currently he is releasing an album with Tommy Smith's Evolution (Spartacus), on which
Taylor linchpins an all-star sextet rounded out by Joe Lovano, John Patitucci, John
Scofield and Bill Stewart. Meanwhile Wheeler projects include the recently issued Dream
Sequence (Psi)CD. Remarkably, Wheeler and Taylor infrequently perform as a duo, which made
their concert one of the most anticipated at the 2003 Vancouver International Jazz
Festival. Throughout the set, Wheeler's patented technique and propensity to catch the
listener off-guard in mid-solo with a well-timed tangent was simply spellbinding. Taylor's
playing depended little on the graceful lyricism on which critics hang their stock Bill
Evans comparisons, emphasizing instead a vigorous, even urgent attack and rhythmic drive.
Additionally, Taylor fully exploited the latitude inherent in a duo to make subtle
harmonic and rhythmic shifts, which unfailingly spurred Wheeler to respond in kind. |